Gear

Guitares
– Paul Reed Smith Tri-Color Sunburst SC 245 Flame Maple Top and Stoptail
Electric Guitar(Seymour Duncan Custom Custom pickups)
– PRS Modern Eagle (Custom Custom pickup)
– PRS McCarty – black with Screaming Demon pickup (« The Mule »)
– PRS McCarty – red
– PRS Hollowbody – black
– PRS SC 250 – black (Custom Custom pickup in bridge)
– PRS S2 Mira
– PRS Starla
– Dean Heirloom Resonator Guitar (avec laquelle il reprend Robert Johnson’s
« Traveling Riverside Blues »)
– Taylor Acoustic Guitars
– Taylor 614
– Martin Eric Clapton Signature
– ’67 Gibson SG (with a P90)
– ’67 Gibson ES-335
– PRS Angelus acoustic
– 1991 Gibson Les Paul Classic (1960 reissue model)

Amplis et bafflesMyles-Kennedy_Alter-Bridge2006
– Mesa Boogie Mark IV Amp Head
– Diezel Herbert Amp Head (avec AB)
– Diezel Schmidt amp Head (avec Slash)
– Mesa Boogie Lonestar
– Mesa Boogie Roadster Head
– Mesa Boogie cabs (4×12 Recto Slant and 4×12 Recto Straight)
– Mesa Mark II
– 1976 Mesa/Boogie (studio avec TM4)
– Marshalls, Matchless, and Orange (used sometimes in the studio).
– Marshall JCM 800 en live avec Mayfield Four

Effets et autres
– Boss TU-2 Chromatic Stompbox Tuner
– Digital Music Ground Control Pro MIDI Foot Controller
– Digital Music GCX Guitar Audio Switcher
– Fulltone Clyde Wah pedal
– Fulltone MDV Mini DejaVibe Vibe/Chorus Pedal
– Fulltone UO Guitar Effect Ultimate Octave
– Line 6 DL4 Delay Guitar Effects Pedal
– Line 6 MM4 Modulation Guitar Effects Pedal
– Radial Tonebone JX-2 Pro Switchbone
– Shure UHF Wireless System
– TC Electronic M-One XL Effects Processor

Cordes & mediators
– custom gauge D’Addario strings (11-52) et (11-62)
– Ernie Ball 012-.058 (avec TM4)
– Dunlop 1.14mm Picks

Myles-kennedy-gear-diagram

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